But, imagine; Sherlock taking the plane to Eastern Europe, never to see John again.
Imagine him six months after, on his knees, hands behind his head, gun against it, and he thinks about the fact he’s never kissed John.
Imagine him dying alone, after a life where he knows he could’ve been happy,…
S1 & S3
Based on this post (x)
#LOOK AT THE DIFFERENT SHOTS THEY TOOK #JOHN’S AT THE HEART #SHERLOCK’S AT THE HEAD
I never noticed the change in color tones before!
JW/SH- Dark warm tones and fire= Intimate, cozy, home. John feels comfortable here and so does the viewer. It also has a yellowish/goldish feel which tells us that they are being open with each other. They trust each other and are not keeping secrets here. They are both happy and content in this scene.
MH/SH- Neutral tones no fire= shows the state of their relationship. Neither warm nor cold. Closest to reality, lack of emotion.
IA/SH- Rich red tones and fire= seductive, intimate, danger. Irene is playing with Sherlock’s emotions, trying to seduce him. The viewer is intended to be seduced along with Sherlock yet the bright white light from the lamp on Sherlock’s side might suggest he’s staying pure from her advances. The red also helps represent the sexual implications behind their conversation.
SH/JM- Green tones, no fire= They’ve switched Sherlock into John’s chair, they are making Moriarty the dominant one. Green commonly represents growth, which could be describing Sherlock’s growth in knowledge about Moriarty’s plans. Green also represents evil and greed, I think you can figure out why that’s important here. The viewer is supposed to feel the fact that this situation is wrong wrong wrong! Going with the growth idea this could signify the start of something new: The Fall.
JW- Cold, very blue no fire= Death, plain and simple. Shows the coldness of the home without Sherlock and John’s grief. Blue is thought to be a calming color but this shade suggests death rather than therapy. It’s almost like the tone is corpse, which has lost it’s color due to blood loss. 221B has lost it’s life and has turned colorless. Blue also shows trust, which could be a representation of John’s loyalty to Sherlock. This is the first time we see blue tones in 221B.
I have a a lot of color feels now. Just another genius part of this show, how they use camera angles and color tones to show us exactly what we’re meant to be feeling. cries.
please pour six gallons of cold water over my head
Our problem. The Final Problem.
You want my phone number? It’s useless. The best way to contact me is to fill a human skull with acorns and vigorously shake it into the night. I will hear you eventually.
I thought I may as well upload this WIP of a Johnlock kiss gif I started a while back and still haven’t got around to finishing.
i mean usually men who are in a platonic friendship with another man are really happy for their friend when they get married and don’t longingly stare at their chairs or obsessively fold napkins or y’know, leave the wedding early and start doing drugs
That’s a lil much.. they could be used as tables and chairs
seemed so wrong, but now it seems so right